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ÇöÀçÀ§Ä¡ : Home > ÀÌÆåÅÍ > A.Y.A Pedals

   
= ÇöÀç ¼îÇθôÀº ÀÌ¿ë Á¤ÁöµÇ¾ú½À´Ï´Ù. ¸®´º¾óµÈ »õ·Î¿î ¼îÇθôÀ» ÀÌ¿ëÇØÁÖ¼¼¿ä. www.tonequestshop.co.kr =[A.Y.A] Drivesta ¾Æ¾ß µå¶óÀ̺£½ºÅ¸
    ¡¤ Á¦Á¶»ç : A.Y.A
    ¡¤ ¿ø»êÁö : JAP
    ¡¤ ÆǸŰ¡°Ý : ¿ø
    ¡¤ Æ÷ ÀÎ Æ® : Á¡
    ¡¤ ¼ö ·® : °³
Àü¹®ÀûÀÎ ¹ÂÁö¼Çµé¿¡ ÀÇÇØ ¼öÀÛ¾÷À¸·Î ¸¸µé¾îÁö°í ÀÖ´Â ¿ÃÇÚµå¸ÞÀ̵å Æä´Þ!
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Ç°¸í / ¸ðµ¨¸í [A.Y.A] Drivesta
Å© ±â 8*11*3 cm Á¦Ç°±¸¼º ÀÌÆåÅÍ, ÄÉÀ̽º
»ö »ó Printing µ¿Àϸ𵨠Ãâ½Ã³â¿ù 2011-11
Àç Áú Steel Á¦Á¶ÀÚ / ¼öÀÔÀÚ A.Y.A / Tonequest
¼¼ºÎ»ç¾ç 8*11*3 cm Á¦ Á¶ ±¹ Japan
Ç°Áúº¸Áõ±âÁØ ÇϴܱâÀÔ A/S¹®ÀÇ Tonequest 02-3471-8556















µå¶óÀ̺£½ºÅ¸ Æä´ÞÀº ¸¶¼£¿¥ÇÁµå¶óÀÌºê ´À³¦ÀÇ »ç¿îµå¸¦ Áö´Ñ Æ®·ç¹ÙÀÌÆнº ¹æ½ÄÀÇ Æä´ÞÀÔ´Ï´Ù.
ÀÏ¹Ý ¿¥ÇÁó·³ º£À̽º, ¹Ìµé, Æ®·¹ºí À» Á¶ÀýÇÒ ¼ö ÀÖ´Â 3-Band EQ ¿Í °ÔÀÎ, º¼·ý À» Á¶ÀýÇÒ ¼ö ÀÖ´Â ´Ù¼¸°³ÀÇ ³ëºê·Î ±¸¼ºµÇ¾î ÀÖÀ¸¸ç
3-Band EQ ÀÇ °æ¿ì Á¶ÀýÀÇ ÆøÀÌ ¸Å¿ì ³Ð¾î ´Ù¾çÇÑ ÅæÀ» ¸¸µé¾î ³¾ ¼ö ÀÖ½À´Ï´Ù.




¶ÇÇÑ ¼¼°¡ÁöÀÇ ¿¥ÇÁ ¸ðµå¸¦ ¼±ÅÃÇÒ ¼ö ÀÖ°Ô µÇ¾î ÀÖ½À´Ï´Ù.

OD1ÀÇ °æ¿ì µå¶óÀ̺£½ºÅ¸¸¸ÀÇ ¿¥ÇÁ ¿À¹öµå¶óÀÌºê ¸ðµåÀÔ´Ï´Ù.
OD2ÀÇ °æ¿ì Ŭ¸®ÇÎ ´ÙÀÌ¿Àµå¸¦ »ç¿ëÇÏÁö ¾ÊÀº ¸ðµå·Î ¿Ö°îÀÌ ÀûÀ¸¸ç °¡Àå Å« º¼·ýÀ» Áö´Ï°í ÀÖ½À´Ï´Ù.
DISTÀÇ °æ¿ì µð½ºÅä¼Ç ´À³¦ÀÇ µå¶óÀ̺긦 »ç¿ëÇÏ¿© °¡Àå ¸¹Àº ¾çÀÇ ¿Ö°îÀÌ ÀÖÀ¸¸ç º¼·ýÀÌ °¡Àå ÀÛ½À´Ï´Ù.

µå¶óÀ̺£½ºÅ¸ÀÇ °æ¿ì ¹öÆÛ ¿Â/¿ÀÇÁ ½ºÀ§Ä¡°¡ ÀÖ¾î Æ®·ç¹ÙÀÌÆнº Æä´Þ ȤÀº ¹öÆÛ ¹ÙÀÌÆнº ¹æ½ÄÀÇ Æä´Þ°ú Á¶ÇÕ ½Ã ÀûÇÕÇÏ°Ô Á¶ÀýÀÌ °¡´ÉÇÕ´Ï´Ù.
´Ü, Æä´ÞÀÌ ¿ÀÇÁ ÀÏ °æ¿ì ¹öÆÛ È¸·Î´Â Àû¿ëÀÌ µÇÁö ¾Ê½À´Ï´Ù.

ÃÖ°í±Þ ÆÄÃ÷(Fairchild, AVX, Sprague, Switchcraft, XICON)¸¦ ¿Ã ÇÚµå¸ÞÀ̵å·Î Á¦ÀÛµÈ µå¶óÀ̺£½ºÅ¸ Æä´ÞÀº
ºê¸®Æ¼½¬ »ç¿îµå¸¦ Ãß±¸ÇÏ´Â À¯Àúµé¿¡°Ô ¸Å¿ì ÀûÇÕÇÑ Æä´ÞÀÔ´Ï´Ù.




[A.Y.A] Carl Verheyen - Drivesta (ÇѱÛÀÚ¸·)






[A.Y.A] Tim Pierce - Drivesta 01 AYA Pedals Tokyo Japan






[A.Y.A] Tim Pierce - Drivesta02 AYA Pedals Tokyo Japan










Kirk Fletcher [Fabulous Thunderbirds]

"The drivesta is amazing! Very natural sounding.
I play to use it all the time. One of the most versatile pedals on the market."

Drivesta´Â Á¤¸» ³î¶ó¿î Æä´ÞÀÔ´Ï´Ù! ¾ÆÁÖ ÀÚ¿¬½º·¯¿î »ç¿îµå¸¦ Ç¥ÇöÇØÁÝ´Ï´Ù.
¿¬ÁÖ ÇÒ ¶§ ¾ðÁ¦³ª ÀÌ Æä´ÞÀ» »ç¿ëÇÏ°í ÀÖ½À´Ï´Ù.
ÇöÁ¸ÇÏ´Â Æä´Þ Áß¿¡ °¡Àå ´Ù¾çÇÑ ÅæÀ» Ç¥ÇöÇØÁÖ´Â Æä´ÞÀÔ´Ï´Ù.




Paul Jackson Jr

"It's great. It's very even sounding and does not color the tone of the guitar.
I look forward to experimenting with it even more"

´ë´ÜÇÕ´Ï´Ù. ±²ÀåÈ÷ ÀÚ¿¬½º·¯¿î À½»öÀ» °¡Á³°í¿ä ±âŸ º»¿¬ÀÇ ÅæÀ» »ì·ÁÁÝ´Ï´Ù.
Àú´Â ÀÌ Á¦Ç°¿¡ ´ëÇØ ´õ¿í ¸¹ÀÌ ¾Ë°í½Í½À´Ï´Ù.




Tom Gioia [Producer/ Writer / Guitarist NYC]

"I have tried almost every compressor on the market.
Many offer great qualities but diminish the tone, some are subtle and some are effected.
The AYA R Comp does it all while enhancing my tone. The only problem I have is turning it off!"

Àú´Â ½ÃÁß¿¡ ³ª¿ÍÀÖ´Â ¸ðµç ÄÄÇÁ·¹¼­¸¦ °ÅÀÇ ´Ù »ç¿ëÇØ ºÃ½À´Ï´Ù.
¸¹Àº Á¦Ç°µéÀÌ ÁÁÀº Ç°ÁúÀ» °¡Áö°í ÀÖÁö¸¸ ÅæÀ» ÁÙÀ̴µ¥ À־ ´õ ¸¹ÀÌ ³ë·ÂÇØ¾ß ÇÑ´Ù°í »ý°¢ÇØ¿ä
ÇÏÁö¸¸ A.Y.AÀÇ R-Comp´Â Á¦ À½»öÀ» ´õ¿í ÁÁ°Ô ¸¸µé¾îÁÝ´Ï´Ù. Àú´Â ÀÌ Á¦Ç° »ç¿ëÀ» ¸ØÃâ ¼ö ¾ø¾î¿ä!!




Andrew Campbell

"The AYA R-COMP is unique in the market.
It's the only one that i know of that offers this kind of effortless and transparent limiting behavior,
so that the music can come through without all of the typical comp stomp artifacts.
You want insane squish? You can have that too.
There are only good settings on this box."


AYA R-COMP´Â Ưº°ÇÕ´Ï´Ù!
ÀÌ ÄÄÇÁ´Â ÀüÇüÀû ÄÄÇÁÀÎ Stomp artifacts¸¦ »ç¿ëÇÏÁö ¾Ê°íµµ ÀÌ¿ëÇϱ⠽±°í Çൿ¿¡ Á¦ÇÑÀ» ÁÖÁö ¾Ê½À´Ï´Ù.
¸¸¾à ´ç½ÅÀÌ Àϱ׷¯Áø ÅæÀÇ ¼¼ÆÃÀ» ¿øÇÑ´Ù¸é ÀÌ°ÍÀ» »ç¿ëÇϼ¼¿ä!
»ç¿ë¿¡ Æí¸®ÇÏ°Ô ¼¼ÆõǾî ÀÖ½À´Ï´Ù.





Doc Powell

"This compressor was the easiest device to add to my gear because of the way it compliments my sound without changing my tone."

ÀÌ ÄÄÇÁ·¹¼­´Â º»·¡ ÅæÀÇ º¯È­ ¾øÀ̵µ ¿ø·¡ÀÇ ¼Ò¸®¸¦ ³»±â ¶§¹®¿¡ ´Ù¸¥ ±â¾î¸¦ ¿¬°áÇϱ⠽¬¿îÁ¦Ç°ÀÔ´Ï´Ù.






Michael Miller [Gino Vannelli,Chick Corea Electronic Band II,Tom Scott]

"I really like both the AYA R Comp and the Drivesta overedrive pedal.
The Comp is very smooth. It has a very subtle effect and does not change the tone of the guitar when kicked in.
The Drivesta is very cool. The tone controls give you a lot of options for the shape of the sound, and the three distortion
settings are very usable. Also the amp stack setting really gives this thing some teeth for rocking out.

A.Y.AÀÇ 'R-Comp'¿Í 'Driveta' ¿À¹öµå¶óÀ̺ê Æä´ÞÀ» ÁÁ¾ÆÇÕ´Ï´Ù.
R-Comp´Â ¸Å¿ì ½º¹«½ºÇϸç ÀÌ°ÍÀº ¸Å¿ì Àý¹¦ÇÑ È¿°ú¸¦ ÁÖ¾î ÄÄÇÁ¸¦ ³ÖÀ» ¶§ Á¶Â÷ ±âŸÀÇ Åæ¿¡ ¿µÇâÀ» ¹ÌÄ¡Áö ¾Ê½À´Ï´Ù.
Drivesta´Â ´ë´ÜÇÕ´Ï´Ù. ÅæÄÁÆ®·ÑÀº ´ç½ÅÀÌ ¿øÇÏ´Â ¸ðµç ¼Ò¸®¸¦ °¡´ÉÇÏ°Ô ÇØÁÖ°í 3°³ÀÇ µð½ºÅä¼Ç ¼ÂÆõµ ¸Å¿ì À¯¿ëÇÕ´Ï´Ù.
¶ÇÇÑ 'Stack Amp' ¼¼ÆÃÀº ÀÌ»¡À» ÀÌ¿ëÇÑ ¿¬ÁÖµµ ÃæºÐÈ÷ Áñ±æ ¼ö ÀÖ°Ô ÇØÁÝ´Ï´Ù.




Gary Burnette [Nashville session guitarist]

"I wanted to tell you something that says EVERYTHING to me.
I used Drivesta on the first song today. I was playing with people that I work with quite often.
The very minute I started playing thru the OD pedal 3 people exclaimed, "Whats that!!!!" That,
my friend, is stunning......These guys hear loud guitars and distortion day in and day out and never blink.And.. As for the compressor, I used it on the last song .I really liked what I heard.
In a strange way AYA R-Compressor reminded me of my old Orange Squeezer, subtle."

Á¦°¡ ¾Ë°í ÀÖ´Â ¸ðµç °ÍÀ» ¿©·¯ºÐ¿¡°Ô ¾Ë·ÁÁÖ°í ½Í½À´Ï´Ù.
Àú´Â Àú¿Í ÇÔ²² ÀÏÇÏ´Â »ç¶÷µé°ú ÀÚÁÖ ÇÔ²² ¿¬ÁÖÇϴµ¥¿ä ¿À´Ã Àú´Â ÀúÀÇ Ã¹ ¿¬ÁÖ·Î Drivesta¸¦ »ç¿ëÇÏ¿´½À´Ï´Ù.
Á¦°¡ ¿À¹öµå¶óÀ̺êÆä´ÞÀ» ÅëÇØ ¿¬ÁÖ¸¦ ½ÃÀÛÇÏÀÚ¸¶ÀÚ 3¸íÀÇ »ç¶÷ÀÌ È¯È£¼ºÀ» Áú·¶¾î¿ä.
"±×°Ô¹¹¾ß?"
±×¸®°í Ä£±¸´Â Å« °¨ µ¿À» ¹Þ¾Ò½À´Ï´Ù.
±×µéÀº ´« Çϳª ±ô¹ÚÀÌÁö ¾Ê°í °è¼ÓÇؼ­ Á¦ ±âŸ¿¬ÁÖ¿¡ ÁýÁßÇß½À´Ï´Ù.
±×¸®°í ÀÌ Compressor·Î ¸»ÇÏÀÚ¸é, ÀúÀÇ ¸¶Áö¸· ¿¬ÁÖ¿¡ ÀÌ R-Comp¸¦ »ç¿ëÇß½À´Ï´Ù.
Àú´Â ÀÌÆä´Þ·Î ÀÎÇÑ ±âŸ»ç¿îµå°¡ Âü ÁÁ½À´Ï´Ù.
½Å±âÇÑ °ÍÀº ÀÌ AYA R-Comp´Â ÀúÀÇ ¿À·¡µÈ ORANGE SQUEEZER¸¦ »ó±â½ÃŲ´Ù´Â °Ì´Ï´Ù.




Wayne Johnson [Manhattan Transfer,Rickie Lee Jones,Grammy win last year]

"I love this AYA R-Comp. Normally, I'm not huge on compression.....unless its for a special effect.
This thing is so warm and transparent ...and micro-adjustable to my very subtle needs.
I now...don't leave home without it! Thank You!!!"

Àú´Â AYA R-Comp¸¦ ¸Å¿ì ÁÁ¾ÆÇÕ´Ï´Ù.
°³ÀÎÀûÀ¸·Î Compressor¸¦ ¸¹ÀÌ »ç¿ëÇÏÁö ¾Ê¾Æ¿ä, Ưº°ÇÑ È¿°ú°¡ ¾ø´Ù¸é ¸»ÀÌ¿¡¿ä.
ÇÏÁö¸¸ ÀÌ°ÍÀº ¸Å¿ì µû¶æÇϸç Åõ¸íÇÑ ¼Ò¸®¸¦ ÁÝ´Ï´Ù. ±×¸®°í ¾ÆÁÖ ÀÛÀº ¹Ì¼¼ÇÔµµ Á¶ÀýÇÒ ¼ö ÀÖ¾î Àú¿¡°Ô ¸Å¿ì ÀûÇÕÇÕ´Ï´Ù. Àú´Â Áö±Ý ÀÌ R-Comp ¾øÀÌ´Â ¿¬ÁÖ¸¦ ÇÏÁö ¾Ê½À´Ï´Ù. °í¸¿½À´Ï´Ù!!




Gabriel Moses [Potent]

"I've tried MANY compressors!! This is the one that's staying on my pedalboard!"

Àú´Â Áö±Ý±îÁö ¾ÆÁÖ ¸¹Àº CompressorµéÀ» »ç¿ëÇØ¿Ô½À´Ï´Ù.
±×¸®°í ¹Ù·Î ÀÌ Á¦Ç°ÀÌ(R-Comp) Áö±Ý Á¦ Æä´Þº¸µå¿¡ ÀåÂøµÇ¾î ÀÖ±º¿ä!!




Joe De Sa [Studio&Touring Guitaris/Author/School of Rock]

"I love my AYA R-Comp. It gives me the subtleness and warmth that no other compressor box has ever allowed me have without draining my tone way.
It was the piece of gear needed to glue my board together."

Àú´Â AYAÀÇ R-Comp¸¦ Á¤¸» ÁÁ¾ÆÇÕ´Ï´Ù.
Áö±Ý±îÁö ¾î¶°ÇÑ Á¦Ç°µµ ¸¸Á·À» ÁÖÁö ¸øÇÑ Àú¿¡°Ô µû¶æÇϸ鼭µµ ÀÚ¿¬½º·¯¿î ÅæÀ» À¯ÁöÇÒ ¼ö ÀÖ°Ô ÇØÁá°Åµç¿ä
ÀÌÁ¦Ç°Àº Á¦ Æä´Þº¸µåÀÇ ±¸¼ºÇ°Ã³·³ ÀúÀÇ Æä´Þº¸µå¿¡ ´Þ¶óºÙ¾îÀÖ½À´Ï´Ù!!




J.P. Cervoni

"Yes! The search is over.
I've been looking for a professional compressor in a pedal form forever, I tried them all and came up with nothing. I wanted a pedal compressor that would emphasize my picking technique, even out my string balance and not breathe.
The AYA R-Comp makes my sound come alive. I can't turn it off!""
Up until now, I was stuck with expensive rack mounted units for the quality of compression my work demands. The AYA R-Comp is the only compressor that does an outstanding job in a pedal form."

°á±¹Àº ã¾Ò½À´Ï´Ù!
Áö±Ý±îÁö Àü¹®ÀûÀÎ ÄÄÇÁ·¹¼­¸¦ ã±â À§ÇØ ¸¹Àº ÄÄÇÁ¸¦ »ç¿ëÇØ º¸¾ÒÁö¸¸ ¾î¶² °Í µµ ãÁö ¸øÇß¾ú½À´Ï´Ù.
ÀúÀÇ ÇÇÅ· Å×Å©´ÐÀ» °­Á¶ÇØÁָ鼭 ½ºÆ®¸µÀÇ ±ÕÇüÀ» Èçµé¸² ¾øÀÌ À¯ÁöÇØÁÖ´Â ±×·± °Í ¸»ÀÔ´Ï´Ù.
AYA R-Comp´Â ÀúÀÇ ¼Ò¸®¸¦ »ì¾ÆÀÖ°Ô ¸¸µé¾îÁÝ´Ï´Ù. ÀÌ °ÍÀ» ²ø ¼ö°¡ ¾ø¾î¿ä!!
ÀÌÁ¦ºÎÅÍ ÀÛ¾÷¿¡ ¿ä±¸ÇÏ´Â »ç¿îµå¸¦ À§ÇØ ·¢¿¡ °íÁ¤µÇ¾îÁú°ÍÀÔ´Ï´Ù.
AYA R-Comp´Â ¸¹Àº Æä´Þ Áß¿¡¼­ °¡Àå ´«¿¡¶ç´Â ¿ªÇÒÀ» ÇÏ´Â ´Ü ÇϳªÀÇ CompressorÀÔ´Ï´Ù.




Stevie D [Buckcherry]

"R-comp is cool. We did use this a lot in our new recording.
It really worked great for clean tone with effect to make it nice and even without losing the good tone.
Overdrive pedal got so much flexibility. I'm still playing with it !"

R-Comp´Â ȯ»óÀûÀÔ´Ï´Ù. À̹ø ³ìÀ½ ¶§ ¿ì¸®´Â ÀÌ Æä´ÞÀ» ¾ÆÁÖ ¸¹ÀÌ »ç¿ëÇß½À´Ï´Ù.
ÁÁÀº ÅæÀ» ÀÒÁö ¾Ê°Ô ÇØÁָ鼭 ¸ÚÁø È¿°ú¿Í ÇÔ²² ±ò²ûÇÑ ÅæÀ» ³¾ ¼ö ÀÖ°Ô ÇØÁÝ´Ï´Ù.
±×¸®°í ¿À¹öµå¶óÀ̺ê Æä´Þ ¿ª½Ã ±²ÀåÈ÷ ´Ù·ç±â ½±½À´Ï´Ù.
Àü ¾ÆÁ÷µµ ÀÌ Æä´Þ°ú ÇÔ²² ¿¬ÁÖ¸¦ ÇÏ°í ÀÖÁÒ. !!




Joe Barresi [Engineer-Producer]

"The pedals are way cool!!!!
I love the fact that I have a preamp and master volume and 3 band (Useable) EQ right at my fingertips.
The fuzz is very cool, and i can go from smooth dark distortion to full on filtery 70's tones with ease.
And the comp is cool too....very reminiscent of the Ross comp, quick attack and a good amount of gain and sustain."


ÀÌ Æä´ÞµéÀº Á¤¸» ÁÁÀº Æä´ÞµéÀÌ¿¹¿ä.!!
³ª´Â ³» ¼Õ ¾È¿¡ ÇÁ¸®¿¥ÇÁ¿Í ¸¶½ºÅÍ º¼·ý, ¾ÆÁÖ À¯¿ëÇÑ 3 ¹êµå EQ°¡ ÀÖ´Ù´Â »ç½ÇÀÌ ³Ê¹« ±â»Þ´Ï´Ù.
Fuzz Æä´ÞÀº Á¤¸» ¸ÚÁ®¿ä.
ÀÌ Æä´ÞÀº ºÎµå·´°í ´ÙÅ©ÇÑ µð½ºÅä¼ÇºÎÅÍ ²Ë Âù 70³â´ë »ç¿îµå±îÁöÀÇ Ç¥ÇöÀÌ ³Ê¹« ÀÚ¿¬½º·´°í ÆíÇÕ´Ï´Ù.
±×¸®°í R-Compµµ ³Ê¹« ¸ÚÁ®¿ä.
ºü¸¥ ¾îÅð¨°ú Àû´çÇÑ ¾çÀÇ ¼­½ºÅ×Àΰú °³ÀÎÀº ¸¶Ä¡ 'RossÄÄÇÁ'¸¦ ¿¬»ó½Ãŵ´Ï´Ù.





Takeshi Akimoto [ZIGGY MARLEY BAND]

"The pedals are way cool!!!!
I love the fact that I have a preamp and master volume and 3 band (Useable) EQ right at my fingertips.
The fuzz is very cool, and i can go from smooth dark distortion to full on filtery 70's tones with ease.
And the comp is cool too....very reminiscent of the Ross comp, quick attack and a good amount of gain and sustain."


ÇÑ ¸¶µð·Î ¸»ÇÏÀÚ¸é "¸¶¼£¿¥ÇÁ" ÀÔ´Ï´Ù. ƯÈ÷ ³ìÀ½ ÇÒ ¶§´Â ÀÌ Æä´ÞÀÌ ¸ðµç°ÍÀÇ Á߽ɿ¡ ÀÖ´Â °Íó·³ ºûÀÌ ³³´Ï´Ù.
µð½ºÅä¼ÇÀ» À§ÇØ ÀÌ Æä´ÞÀ» »ç¿ëÇߴµ¥ ³ìÀ½ ÈÄ ´Ù½Ã µéÀ» ¶§ µé·Á¿Â »ç¿îµå´Â Á¤¸» ³î¶ó¿ü½À´Ï´Ù.
Äڵ带 ÀâÀ» ¶§³ª ¾î¶² ƯÁ¤ÇÑ ºÎºÐÀÇ ¿¬ÁÖ¿¡ À־ ³Ê¹« ÀúÀ½¿¡ Ä¡¿ìÄ¡´Â µîÀÇ ¹®Á¦°¡ ¹ß»ýÇÏÁö ¾Ê½À´Ï´Ù.
¼Ö·Î¿¬ÁÖ¸¦ ÇÒ¶§¿¡´Â ºÎ½ºÅÍ µîÀÇ ´Ù¸¥ ÀåÄ¡¸¦ ¿¬°áÇÒ ÇÊ¿ä ¾øÀÌ ±×°Í ÀÚü ¸¸À¸·Îµµ ¸ÚÁø »ç¿îµå¸¦ µé·ÁÁÝ´Ï´Ù.
±×¸®°í ¸î¸î »ç¶÷µéÀº ÀÌ°ÍÀÌ µð½ºÅä¼Ç °è¿­ÀÇ ÅæÀ» ³»±â´Â ¾î·Á¿ï °ÍÀ̶ó°í »ý°¢ÇÏÁö¸¸
¸¶½ºÅÍ º¼·ýÀ» Á¦¿ÜÇÑ ¸ðµç ³ëºê¸¦ ¿Ã·ÁµÎ°í ÇÊ¿ä·Î ÇÏÁö ¾Ê´Â ³ëºê¸¦ Á¶ÀýÇÕ´Ï´Ù.
À̰͸¸À¸·Î Àú´Â ªÀº ½Ã°£¾È¿¡ Á¦°¡ ¿øÇÏ´Â ÅæÀ» ¼¼ÆÃÇÒ ¼ö ÀÖ½À´Ï´Ù.




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